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carti / Albume pictura
The Itinerants. Russian realist artists of the second half of the 19th and the early 20th centuries
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Cartea a fost tipărită în anul 1982 în 199 pagini şi este uzată. | În stoc | Cartea se află pe stoc şi poate fi comandată, urmând să ajungă la dumneavoastră în 1-7 zile.
Plata se va efectua prin ramburs la primirea coletului. |
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The Itinerants. Russian realist artists of the second half of the 19th and the early 20th centuries de Colectiv
The Itinerants The hardcover book is 10.5” x 8” with 200 to 208 pages depending on the edition. It was first produced in 1974 and the final edition was printed in 1982 and is now out of print. The format included a photograph of each artist along with a short biography and one to several images following.
The Society for Circulating Art Exhibition (1870 – 1923), a major democratic association of Russian realist artists, united many progressive-minded personalities of the time. Members of the Society organized annual exhibitions in St. Petersburg and Moscow, which later moved to the provincial towns. The popularization of painting is one of the greatest services to Russian art rendered by the Itinerants (Peredvizhniki), as these artists came to be called. They received major financial support from the Tretyakov brothers whose art collection became the base for the Tretyakov Museum that they opened and from the major Russian art Critic of the period, Vladimir Stasov.
The introductory essay by Andrei Lebedev, a prominent Soviet art historian, describes the creative work of the Itinerants as one of the most brilliant chapters in the history of Russian art. The books includes 162 Plates, 115 of them in full color, reproduce some of the best-known works of Kramskoi, Repin, Surikov, Kuinji, Polenov, Yaroshenko, and forty additional famous painters.
It is a “must” for the library of artists desiring an overview and a roadmap for further study and exploration of the revolution in Russian art that began with Czar Alexander the Second’s removal of serfdom in 1861 which in turn freed the artists who were historically trained and controlled by the Czars.
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