Disponibilitate:  în stoc

Preț:  49,00 LEI

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Autor(i):

Traducător(i):

Editura:

Colecția: Carti Cardinale

Anul apariției: 2016

Nr. pagini: 432 pagini

Tip copertă: brosata

ISBN: 9786067102307

Stare: nefolosita (noua)

Categorii: Carte nefolosită, Beletristica, Eseuri, Teorie literara

Descriere

In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts.

Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.

“A rather brilliant book… Literature departments are almost always organized by language and country, but Casanova’s book gives us many reasons to doubt whether this captures the way literature really works.” New Yorker

“As a researcher, Pascale Casanova specializes in the exception. Along with a literary knowledge that is exceptional in its breadth and depth, she possesses a theoretical knowledge that is truly vast and wielded with great authority. In pursuing this immense topic - the universe of relations that constitute the "World Republic of Letters" - she has set herself a daunting challenge: that of constructing, and empirically verifying, a theoretical model for the "fabric of the universal."”―Pierre Bourdieu


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